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Changed now with the transpositions of male to female

Changed now with the transpositions of male to female

Writing of the viceroy of Sardinia that, at the opening up of his essay with “The Show and the Plague, ” “had the particularly afflicting dream, ” Artaud asks: “But is it too late to avoid the particular scourge? Even destroyed, even annihilated, even pulverized together with ingested to the pretty marrow, he understands that we do not die inside our dreams, that our may operates even in nonsensicality, even in the negation of possibility, even in the goldmacherkunst of lies from which fact can certainly be remade” (15). If the viceroy “wakes up” for this realization, as if among your pet and plague right now there was “a palpable communication” (17)—confirming Artaud in “the view associated with symbols and even archetypes which will act like muted blows, bed s down, steps of the heart, summons of the lymph, inflamed photographs thrust into each of our easily wakened heads, ” enumerating the powers “we are as symbols” (27)—the challenge with symbolist drama (as with expressionism later) is the thrilling promise regarding a transfigured actuality, for you to which we come through this dreaming, leaves us all having the perpetual irony regarding something to be preferred, definitely not contrary to the phantasm involving digital reality within a cyberspatial world. We all seem to be stated something other, outside, beyond, outdoing to all look often the technique of render